Gigi and Alice are married when they rear-end a young couple: she's about to give birth so Gigi and Alice take them to the hospital and then find out the young couple don't have a lot of money so they decide to help them financially.

Enrico Rossi is accused of polygamy for having married six different women over the years.

Christmas is coming and the Mantelli family is ready to spend it together but Alice, mother and wife, is afraid her marriage could end because the spouses are too deep into their routines so she decides they should go on a vacation.

Carlo breaks up with his girlfriend and takes refuge in the house of Gigi and Alice Fumagalli, who has just left her job to be a homewife without telling her husband.

First seen at La Monnaie in Brussels on 13 May 1998, this production of Monteverdi’s L’ORFEO seen through the eyes of Trisha Brown and René Jacobs has become an operatic classic in a few short years. This is doubtless because it offers a total symbiosis of music, text and movement – described by the critic of the Daily Telegraph of London as being ‘as close to the perfect dance opera as I have ever seen’. Or to quote Gilles Macassar in Télérama: ‘In the pit and onstage, the Brussels production has only one watchword: mobility, nimbleness, dexterity. The singers run, fly, whirl like dancers defying gravity. From the flies down to the footlights, the whole theatre is under a fantastic spell.’ For Christophe Vetter, on ConcertoNet: ‘This Orfeo can be seen again and again with immense pleasure. . . . René Jacobs’s conducting continues to arouse admiration for its precision, its stylistic rigour, its inexhaustible inventiveness and its feeling for the contrasts so vital to this repertoire.’

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Chef Quique Dacosta takes on a personal challenge: capturing the essence of his guests on his menu, finding room for conversation and reflection in each course.

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Set across one summer evening, a young Italian man has a fleeting encounter with a stranger in the English countryside.

On a day like any other, Chila Huerta wakes up her three children and abandons the house that she shares with her husband. The town is left to wonder what secrets Chila is hiding.